Winnners go home and fuck the prom queen

If you want to get stoned without taking drugs, take Zardoz. I love the moments of their deaths - when I am one with Zardoz.' Who else could give life to lines like 'I love to see them running. And Connery projects enough gravitas to anchor the film, which might otherwise fly off into cloud cookoo land. And it begins with a giant stone head whizzing around, shouting 'The gun is good, the penis is evil!' But that's also why the film is kind of awesome-it has its own kind of demented integrity, and is stuffed with ideas that are interesting even when half-baked. I freely acknowledge that the film is bat-s**t insane, pretentious, incredibly silly, and features Sean Connery running around in a diaper, bandoleros, and thigh-high go-go boots (later on he appears in a wedding dress). Oh, and at the risk of being thought insane, I would like to praise Zardoz. It's that self-confident masculinity that allowed Connery to play an Arab chieftain, a Victorian adventurer, Robin Hood, King Arthur ( First Knight), Agamemnon ( Time Bandits), Shakespeare's Hotspur ( An Age of Kings), and King Richard the Lion-Hearted ( Robin Hood: Prince of Thieves) with such authority, with so little self-consciousness, and with sly, twinkle-eyed humor. I don't know any man since Cary Grant that men have wanted to be so much.' His vitality may make him the most richly masculine of all English-speaking actors.' Kael also remarked on Connery's 'confidence in himself as a man. It was such work that made Pauline Kael write 'with the glorious exceptions of Brando and Olivier, there's no screen actor I'd rather watch than Sean Connery. The crown of Connery's career, outside Bond, is the mythic trilogy of The Wind and the Lion, The Man Who Would Be King, and Robin and Marian. His most daring, draining, and astonishing role. Connery explored aspects of his screen persona that were never touched on before or since. The film is badly paced (its first half drags badly), but once Connery is given a chance to act, he turns in a volcanic performance, a study in repression and rage.

His career, like that of Clark Gable (the golden age star Connery most resembles), is filled with lots of lousy films and poor decisions (why bow out with the League of Extraordinary Gentlemen? Why not King Lear?), but he's made enough great films to have a great career. But OTOH, there isn't any drama or consequence on the relationship after the mission.Sean Connery is perhaps the last of the great, larger-than-life film stars. On one hand, it doesn't impede the main plot.

Outside of the iconic exchange 'Winners go home and fuck the prom Queen', 'Carla was the prom queen.', it doesn't seem like the main plot would change if the relationship wasn't there. Goodspeed who is happily engaged before he gets yeeted to Alcatraz with Sean Connery to save hostages and disarm some poison-gas missiles. In the movie, Nicholas Cage is introduced as Dr. Is it still considered a 'romance subplot' if the two characters in question are already a couple from the get go? And if the relationship was just more of a moral support thing instead of the usual 'break-up/triangle/will-they-won't-they' type of thing? (Like how the main character has a best friend, teacher, or sibling that's there for them without the usual drama) My apologies if some of the questions seem dumb and obvious, I'm trying to learn more about the subject.

Winnners go home and fuck the prom queen